From the pen of the late, great Anthony Shaffer comes one of the most chilling, iconic and original films in all of movie history. Set on the fictitious Scottish island of Summerisle, the Wicker Man features superb performances by Edward Woodward as police Sergeant Howie and Christopher Lee as Lord Summerisle. Woodward has said that Howie was the best part he ever played, while Lee maintained that the Wicker Man was his finest film.

Supported by a deep bench of quirky and accomplished character actors, director Robin Hardy follows the increasingly labyrinthine twists and turns of Sergeant Howie's investigation into the apparent disappearance of a young girl. Every step Howie takes into that remote community's strange rites and customs brings him closer to his own carefully planned and agonisingly awful demise.

Hardy skilfully exploits Shaffer's slow but relentless ratchet-turning writing to build a richly detailed, absorbing and thoroughly grounded society in which the hapless Howie quickly becomes lost, flounders and is ultimately destroyed. With a memorable music score and some excellent cinematography typical of the era, the Wicker Man is one of many films that disprove the idea that only a big budget production with aggressive marketing can stand the test of time.

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Ultra-violence, drugs, sex, crime, punishment and the human capacity for evil are just a few of the subjects covered by one of the most talked about releases in all of movie history.

With its outlandish characters, outrageous costumes and memorable direction, Stanley Kubrick's outrageous dystopian pantomime creates a world which is both totally unrealistic and yet unsettlingly familiar. Nothing in this retro-futuristic fantasy looks or sounds quite like the world we know, which helps to keep the viewer off-balance during the whole cinematic experience. Like a blurry photocopy, the costumed facsimile of Alex and his droogs kind of resembles something from our everyday experience, even though it's a misshapen and fuzzy representation of the reality we all share.

As we follow Alex on his journey from joyously psychotic gang leader, to reluctant prisoner, through willing guinea pig and political patsy, we know we're watching a psychodrama set in an imagined world, yet that does nothing to quell a strange yet poorly defined feeling of unease this movie often conjures in its audience.

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Starring Richard E Grant as the archetypal 80s yuppie, this hilarious and metaphorical study of a burned-out executive's midlife crisis paints a familiar human face on the zeitgeist of our modern consumer age.

Although seemingly successful on the outside, hotshot advertising executive Denis Dimbleby Bagley hits a brick wall when he's asked to come up with a catchy advertising campaign for yet another new acne treatment. It should be easy for a man of his talents, but instead he comes up empty as all of his personal doubts, demons and neuroses congeal into a psychological poison which has been festering inside him for years.

Sliding rapidly into a nervous breakdown, Bagley's deteriorating mental health manifests physically as a boil on his shoulder, which continues to grow despite various attempts at treatment. Eventually it develops its own voice as Bagley's inner conflict breaks out into open warfare. As he constantly fights with himself, those around him and society at large, Bagley struggles with the universal yet intensely personal question of whether he is really a good man, who's led a worthy life. However, as this movie so clearly demonstrates, the answer to that fundamental question is not always "yes".

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Starring a pre-Bond Daniel Craig, this sleek and stylish reimagining of the British crime thriller is filled with more twists and turns than a mountain goat track as we follow an anonymous cocaine dealer who finds himself sucked further and further into a criminal underworld he's long been planning to escape.

Charged with the relatively simple task of finding the missing daughter of a crime boss, our "hero" soon finds himself caught in the crosshairs of an elite underworld assassin tracking down a stolen drugs shipment. With events fast spiralling out of his control, the always smooth and clean-cut cocaine supplier is finally forced to step in and get his own hands dirty in order to save first his liberty and then his life.

Despite repeatedly claiming not to be a gangster, our cocaine supplier soon realises that he faces a stark choice between an un...marked grave and scrambling to the top of the bloodied underworld pyramid. The clear lesson is that you're either in the underworld of you're not. Our protagonist's own words come back to haunt him as he learns how dabblers and wannabes inevitably inhabit a world of pain, grief and regret…but only if they're lucky.

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